• Front matter
• The End(s) of Electronic Literature Conference and Festival
• Scott Rettberg: Introduction: The End(s) of Electronic Literature
• ELO 2015 Organization
• Conference Schedule
• Keynote Debate
• Espen Aarseth and Stuart Moulthrop: End over End
• Workshops
• History of Digital Poetry in France
• Multimedia Authoring in Scalar
• Sonic Sculpture
• Documenting Events and Works in the ELMCIP Electronic Literature Knowledge Base
• Live Writing
• Digital Scherenschnitte / Video Compositing with Cut-ups and Collage
• Revisiting the Spam Folder: Using 419-fiction for Interactive Storytelling. A Practical Introduction.
• Roundtables
• Intermediality and Electronic Literature
• Beyond the Screens: Transmediality in E-literature
• Archiving Roundtable
• Curating and Creating Electronic Works in Arts Contexts
• CELL ROUNDTABLE - The Consortium for Electronic Literature
• Lightning Talks
• What Comes After Electronic Literature?
• Research Presentations
• Ayoe Quist Henkel: Motions in Digital Young Adult Literature
• Kristin Ørjasæter: Hypermediacy in Garmann's summer
• Ture Schwebs: The Numberlys: An Interplay Between History, Urban Life and Technology in a Children’s Story App
• Nolwenn Tréhondart and Émilie Barbier: Remediating a Hyperfiction in ePub3: When Digital Literature Meets Publishing Models - The Case of Children’s Literature with The Tower of Jezik
• Lucas Ramada Prieto: Reading Apps: An Exploratory Research on Children's E-lit Reading Profiles
• Kamil Kamysz and Marcin Wichrowski: Between Paper and Touchscreen: Building the Bridge with Children's Book
• Agnieszka Przybyszewski: To Teach Reading by Playing (with) the Literary Wor(l)d: On Kid E-literature and Literacy
• Lucile Haute, Alexandra Saemmer, Aurelie Herbet, Emeline Brulé and Nolwen Trehondart: Digital Artists' Books and Augmented Fictions: A New Field in Digital Literature?
• Søren Bro Pold, Christian Ulrik Andersen and Jonas Fritsch: Literary Interaction in the Age of the Post-Digital
• Kathi Inman Berens: Touch and Decay: Tomasula's TOC on iOS
• Davin Heckman: Jailbreaking the Global Mnemotechnical System: Electropoetics as Resistance
• Kaja Puto and Martyna Nowicka: Keleti Blokk Blokki Facebook Game as an Example of Non-fiction Literary Flash
• Mark Sample: Protest Bots
• Robert Fletcher: "Learn to taste the tea on both sides": AR, Digital Ekphrasis, and a Future for Electronic Literature
• David M. Meurer: Conditions of Presence: The Topology of Network Narratives
• Daniel Punday: Narrative Theory after Electronic Literature
• Eric Dean Rasmussen: Narrative, Affect and Materialist Aesthetics in Post-Digital Technotexts
• Sandy Baldwin: Literary Spamming in Games: Cold Dust in Lord of the Rings Online and Endgame in Counter-Strike
• Rob Wittig: Jokes, Prompts and Models: Engaging Player Collaboration in Netprov
• Mark Marino: A Workbench for Analyzing Electronic Literature
• Mario Aquilina, Ivan Callus and Gordon Calleja (Proposed Panel): Imagination, Eventhood, and the Literary Absolute
• Jim Brown: A Stitch in Twine: Platform Studies and Porting Patchwork Girl
• Odile Farge: Can We Define Electronic Literature Such as Authoring Tool Literature?
• Alex Mitchell and Tiffany Neo: Beneath the Surface: System Representation and Reader Reception in Electronic Literature
• Christine Wilks: The Interactive Character as a Black Box
• Stuart Moulthrop, Lane Hall and Rob Wittig (Proposed Panel): Electronic Literature as Action and Event: Participatory Culture and “The Literary”
• Lello Masucci and Roberta Iadevaia: The Electronic Literature, How, When, Where
• Philippe Bootz: The Myth of the End of a Myth
• Mette-Marie Zacher Sørensen: E-literary Diaspora – The Story of a Young Scholar's Journey from Writing to Faces
• Claudia Kozak: Latin American Electronic Literature and Its Own Ends
• Eman Younis: Interaction Between Art and Literature in Arab Digital Poetry and the Issue of Criticism
• Patricia Tomaszek: Publishing without a Publisher's Peritext: Electronic Literature, the Web, and Paratextual Integrity
• Simon Biggs: A Language Apparatus
• John Cayley: Aurature and the End(s) of Electronic Literature
• Jörgen Schäfer: From Mechanism to Subjectivity: The Posthumanist Performativity of Electronic Literature
• Jeremy Douglass: The Many Ends of Network Fictions: Gamebooks, Hypertexts, Visual Novels, Games and Beyond
• Angus Forbes: "'Till Algebra is Easier —': Elements of Computation in the Poems of Emily Dickinson
• Elizabeth Losh: Reading, Seeing, and Sensing: The Internet of Things Makes Literature
• Maria Mencia: Data Visualization Poetics
• Renato Nicassio: The S.I.C. Method and the Great Open Novel: An Unconventional Method for a Conventional End
• Mariusz Pisarski: From The Unknown to Piksel Zdrój. Collaboration in E-literature: Models, Newcomers, Predictions
• Kate Pullinger: Letter to an Unknown Soldier: A Participatory Writing Project
• Heiko Zimmermann: Electronic Literature as a Means to Overcome the Supremacy of the Author Function
• Jonathan Baillehache: Abandoned and Recycled Electronic Literature: Jean-Pierre Balpe’s La Disparition du Général Proust
• Chris Rodley: Boolean Poetics: The Search String as Post-Literary Technique
• Mia Zamora: The Generative Literature Project & 21st Century Literacies
• Melissa Lucas: Bringing Scandinavian E-Lit in from the Edges
• Patricia Tomaszek and Aud Gjersdal: Archiving Electronic Literature Beyond its End: Archiving Nordic Works at an Academic Library, a Presentation of a Collaboration in Progress within the University of Bergen
• Nick Montfort: Renderings: An E-Lit Translation Project
• Aleksandra Małecka and Piotr Marecki: Literary Experiments with Automatic Translation: A Case Study of a Creative Experiment Involving King Ubu and Google Translate
• José Molina: Translating E-poetry: Still Avant-Garde
• Maria Angel and Anna Gibbs: Digitising Ariadne’s Thread: Feminism, Excryption, and the Unfolding of Memory in Digital Spaces
• Maria Goicoechea and Laura Sanchez: Female Voices in Hispanic Digital Literature
• Anne Karhio, Jeneen Naji, Michael J. Maguire and James O'Sullivan (Proposed Panel): Research and Practice in Electronic Poetry in Ireland
• Raine Koskimaa: Running Out of Time: The Strategies of Ending in Digital Fictions
• Álvaro Seiça: The Digital Diasthima: Time-Lapse Reading as Critical and Creative Performance
• Marika Wato, Andrzej Głowacki and Grażyna Pietruszewska-Kobiela: The Archetypture of Time - The Time of Interaction
• Natalia Fedorova: Digital Letterisms
• Sandra Guerreiro Dias and Bruno Ministro: Performance Art, Experimental Poetry and Electronic Literature in Portugal: An Intermedial Archive to an Intermedial Practice of Language
• Flourish Klink: Fandom Vs. E-Lit: How Communities Organize
• Piotr Marecki: The Road to Assland: The Demoscene and Electronic Literature
• Velimatti Karhulahti: Rhematics and the Literariness of Electronic Literature
• Anastasia Salter: Ephemeral Words, Ephemeral People: Suicide and Choice in Twine Games
• Fox Harrell, Dominic Kao and Chong-U Lim: Toward Understanding Real-World Social Impacts of Avatars
• Clara Fernandez-Vara: Digital Games: The New Frontier of Postmodern Detective Fiction
• John Barber, Hazel Smith, Roger Dean (Proposed Panel): Live Performance, Voicescapes, and Remixing the Under Language: Sounds and Voices at the End(s) of Electronic Literature
• Megan Heyward: On Landscape as an Interface: Textuality, Walking Practices and Augmented Location in Notes for Walking
• Jon Hoem: Locative Audio Play
• Anna Nacher: Borderline of Textuality, Materiality of Networks: From Land Art Geographical Poetry to Locative Literature
• Todd Taylor, Andrew Morrison and Cheryl Ball (Proposed Panel): The Ends of Publishing
• Steven Wingate: Watching Textual Screens Then and Now: A Cinema/E-Lit Conversation
• Ariane Savoie: Fill in the Blanks: Narrative, Digital Work and Intermediality
• Rachael Katz: The Poets' Dream Database
• Jose Aburto: Murmurs, Open Corpus of Online Written Poetry – The End of Isolated Poems
• David Devanny: Guardians of the Gutenberg Galaxy: A Cultural Analysis of Resistances to Digital Poetries
• Simone Murray: The Public Life of Electronic Literature: Writers’ Festivals Online
• Lyle Skains: The Practice of Research: A Methodology for Practice-Based Exploration of Digital Writing
• Donna Leishman: The Challenge of Visuality for Electronic Literature
• Johannah Rodgers: The Message is the Medium: Understanding and Defining Materiality in Representational and Communicative Practices Across Media
• Markku Eskelinen: It Is the End of the World as We Know it and I Feel Fine
• Sandra Bettencourt, Diogo Marques and Ana Marques da Silva (Proposed Panel): This Is Not the Beginning or the End of Literature
• Jason Lewis: Not Found. Not Generated. Not Random.
• The Arts Program
• Roderick Coover: Art Director's Statement
• Performances and Screenings
• Caitlin Fisher and Tony Viera: Chez Moi: Lesbian Bar Stories from Before You Were Born
• Steven Wingate: Talk with Your Hands Like an Ellis Island Mutt: A Recombinatory Cinema Toolkit
• Penny Florence and Paolo Totaro: Inextrinsix: Multilingual, Collaborative Digital Poems
• Stuart Moulthrop: The End of the White Subway
• Jason Lewis: Vital
• Jörg Piringer: Text/Sound-Videos
• Leonardo Flores and Mark Sample: A Bot Sampler in Two Voices
• Kristian Pedersen and Audun Lindholm: The Pipes
• Samantha Gorman and Danny Cannizzaro: Pry
• David Jhave Johnston: BDP: Big-Data Poetry
• Jason Nelson: Jason Nelson Digital Magic Show and Poetic Interfaces
• Judy Malloy: The Not Yet Named Jig
• Dene Grigar and Greg Philbrook: Curlew
• John Cayley: To Be With You
• Zenon Fajfer and Katarzyna Bazarnik: Zenon Fajfer’s EYELIDS_Book of Emanations
• Donna Leishman and Steve Gibson: Borderline
• Kristian Pedersen and Audun Lindholm: Waves
• Zuzana Husarova: Any Vision
• John Cayley: Monoclonal Microphone: The Movie
• Hazel Smith and Roger Dean: text, sound, electronics, live coding
• Ottar Ormstad, Taras Mashtalir and Alexander Vojjov: OTTARAS: 3 CONCRETE
• Taras Mashtalir and Natalia Fedorova: Machine Libertine
• Judd Morrissey: Kjell Theøry
• Talan Memmott: The Exquisite Corpus
• Christopher Funkhouser, Sonny Rae Tempest and Louis Wells: Shy Nag Code Opera
• Kid E-Lit
• Emilie Barbier, Ana Abril Hernández, Leja Hočevar, Luis Javier Pisonero and Mario Aznav: The Tower of Jezik
• LeAnn Erickson: The Computer Wore Heels
• Pierre Fourny, Guillaume Jacquemin, Serge Bouchardon, Luc Dall'Armellina and Hélène Caubel: Typomatic
• Simon Flesser and Magnus Gardebäck - Simogo: The Sailor's Dream:
• Aleatory Funkhouser: My Own Alphabet
• Merete Pryds Helle, Kamila Slocinska, Tim Garbos and Aksel Køie - Touchbooks: Wuwu & Co
• Mark Marino and The Marino Family: Mrs. Wobbles and the Tangerine House
• Jorge Andrés Gómez, Baptiste Ingrand and Florine Morestin: Poetracking
• Camilla Hübbe, Rasmus Meisler and Stefan Pasborg - Høst & Søn: TAVS
• Tove Jansson - Spinfy/WSOY: Moomin, Mymble and Little My
• Åshild Kanstad Johnsen - Gyldendal: Kubbe Lager Skyggeteater
• Timo Parvela and Jussi Kaakinen - mobilive/WSOY: Taro at the Center of the Earth
• Kari Stai - Samlaget: Jakob og Neikob
• Pernilla Stalfelt - Spinfy/Rabén & Sjögren: Alla Barns Rätt
• End(s) of Electronic Literature Festival Exhibition
• Deanne Achong: Lusca Mourns The Telegraph | In Search of Lost Messages
• Abraham Avnisan: Collocations
• Stephanie Boluk, Leonardo Flores, Jacob Garbe, and Anastasia Salter: Electronic Literature Collection, Volume 3 Preview
• Kathi Inman Berens, Alicia Cohen, Kerstin Juhlen, and Eva Pfitzenmaier: Rest0ration: Kalfarlein 18
• Claire Donato, Álvaro Seiça and Luc Dall’Armellina: Langlibabex
• Eugene Garber and Lynn Hassan: Eroica: A Hypermedia Fiction
• Ian Hatcher and Stephanie Strickland: House of Trust
• Johannes Heldén and Håkan Jonson: Encyclopedia
• Megan Heyward and Michael Finucan: The Secret Language of Desire
• Alinta Krauth: if-notNow, if-then-when-else
• Will Luers: Phantom Agents
• Maria Mencia: Gateway to the World
• Jason Nelson: A Nervous System
• Loren Schmidt and Katie Rose Pipkin: inflorescence.city
• Aaron Tucker: The ChessBard Plays
• Hybridity and Synaesthesia
• Philippe Bootz and Nicolas Bauffe: Play Music for My Poem
• John Murray and Anastasia Salter: From Beyond Hybridity – Ouija Board Project
• Mez Breeze and Andy Campbell: #Carnivast
• Angus Forbes: Poetry Chains and Collocations
• Joellyn Rock and Alison Aune: Fish Net Stockings
• Caitlin Fisher and Tony Vieira: Mother/Home/Heaven
• Julie Vulcan and Ashley Scott: RIMA
• Decentering: Global Electronic Literature
• Jose Aburto: Small Poetic Interfaces – The End of Click
• Nicola Harwood, Fred Wah, Jin Zhang, Bessie Wapp, Simon Lysander Overstall, Tomoyo Ihaya, Phillip Djwa, Thomas Loh, Hiromoto Ida and Patrice Leung: High Muck a Muck: Playing Chinese
• Francisco Marinho and Alckmar Santos: Liberdade
• Jakub Jagiełło and Laura Lech: Labyrinth…
• Natalia Fedorova: “This is not a utopia” Collection of Russian Electronic Literature
• Álvaro Seiça and Piotr Marecki: p2p: Polish-Portuguese E-Lit
• Interventions: Engaging the Body Politic
• Damon Baker: Cavewriting Classics on the Oculus Rift
• David Clark: The End: Death in Seven Colours
• Sharon Daniel: Inside the Distance
• Donna Leishman: Front
• Jason Nelson: The Wandering: An Interactive Poetry Robot!
• Chris Rodley and Andrew Burrell: Death Of An Alchemist
• Andreas Zingerle and Linda Kronman: Faceless Patrons

Play Music for My Poem

Philippe Bootz (Université Paris 8, France) and Nicolas Bauffe (MIM, France)

Hybridity and Synaesthesia
Thursday, August 6 • 17:30 - 18:30 (Lydgalleriet)

The work plays a tension between media and treats the question of control. It is a piece of the “small uncomfortable reading poems” series

Play music for my poem is based on 2 computers that communicate to each other. The first one contains a combinatory generator of sound that plays music for the second computer. The second computer runs a set of 4 combinatory text generators composing a unique poem in 4 stanzas. The music manages the visibility of this text and the reader controls the music generator via a game running on the first computer.